02. Proceso de rodaje
sesión de prueba
Antes de la salida final, realice una sesión de prueba para garantizar:
Marco: El modelo está colocado apropiadamente en el marco, con contacto visual, sin inclinación ni distorsión, rasgos faciales claros y cualquier movimiento necesario de la mano permanece dentro del marco.
Apuntador: la velocidad de reproducción del apuntador coincide con el ritmo de habla del modelo, manteniendo el apuntador y la cámara en la misma posición para evitar miradas desviadas.
Sonido: Audio claro y sin ruido sincronizado con el vídeo.
Expresión: El modelo exhibe un estado de fotografía formal y natural, con expresiones faciales y movimientos que parecen naturales, evitando la rigidez.
Nota: Si el modelo carece de amplia experiencia en la presentación frente a la cámara, las manos se pueden colocar naturalmente al frente o sobre una mesa para una apariencia más relajada y natural.Tiro final:
Asegure un ambiente tranquilo y, después de despejar al personal irrelevante, continúe con la sesión formal. La duración estimada es de 7 a 10 minutos, filmada de forma continua sin pausas ni posedición. La secuencia de filmación es la siguiente:
Silencio de 15 segundos: después de encenderlo, el modelo permanece en silencio durante aproximadamente 15 segundos, con las manos colocadas al frente y manteniendo contacto visual directo. Se permite parpadear, pero no se permiten movimientos de la boca ni otros gestos faciales o con las manos.
Voz en off de 5 minutos: comience a desplazarse por el indicador mientras el modelo graba el video con guión con una enunciación clara. Las expresiones faciales, los movimientos de la cabeza y los gestos naturales de las manos durante la voz en off se pueden diseñar en función de los requisitos finales del vídeo compuesto. Evite movimientos y frecuencias excesivos de la cabeza (asentimientos de lado a lado, de arriba a abajo) y manténgase alejado de gestos específicos con significados explícitos (como contar con los dedos, saludar o encogerse de hombros). Si se trata de movimientos de las manos, asegúrese de que no obstruyan la cara y el cuello (manténgalos debajo del cuello) y evite acciones como lamerse los labios, sacar la lengua, hacer pucheros o expresiones faciales exageradas. Mantenga los labios cerrados durante las pausas de la voz en off. Si ciertos movimientos le resultan incómodos, es aceptable colocar las manos de forma natural al frente o sobre una mesa.06. Requisitos para grabar videos de personas.
When I was only six years old, in a book called "True Stories" about the
old forest, I saw a wonderful illustration of a boa constrictor
devouring a large beast. At the top of the page was a facsimile of the
painting.
"The boa constrictors swallow their prey whole without chewing, and are
then immobilized; they digest it during a long six-month sleep," the
book says.
At the time, I was thinking a lot about my adventures in the jungle, so
I also made my first drawings with colored pencils. My number one work.
It goes like this: I show this masterpiece of mine to grown-ups, and I
ask them if my painting frightens them.
They answered me: "What's so terrible about a hat?"
What I drew was not a hat, but a boa constrictor digesting an elephant.
So I drew the situation in the python's stomach again so that adults
could understand it. These grown-ups always need explanations. My second
number works like this:
The grown-ups advised me to put aside these pictures of boa constrictors
with open or closed bellies, and to focus on geography, history,
arithmetic, grammar. In this way, at the age of six, I gave up the
wonderful profession of being a painter. The failure of my No. 1 and No.
2 works discouraged me. Thesegrown-ups don't understand anything on
their own, and they have to be constantly explaining things to them. It
really bores the kids.
Later, I had no choice but to choose another profession. I learned to
fly a plane and have flown almost all over the world. Indeed, geography
has helped me a great deal. I can tell China from Arizona at a glance.
This is useful if you get lost at night.
Thus, in my life I have had many contacts with many serious people. I've
lived a long time among grown-ups. I have observedthem carefully, but
this has not changed my opinion of them much.
When I meet a grown-up who seems to be a little clearer, I take out my
No. 1 work that I have always kept to test him. I wonder if he really
has the ability to understand. But the answer was always: "It's a hat."
I didn't talk to him about pythons, primeval forests, or stars. I had to
accommodate them and talk to them about bridge, golf, politics, ties,
and so on. The grown-ups were then very glad to know such a reasonable
person as me.
I was living alone, with no one I could really talk to, until that
breakdown in the Sahara six years ago. Something is broken in my engine.
Since I had neither a mechanic nor a passenger with me, I attempted to
perform this difficult maintenance work alone. It's a matter of life and
death for me. The water I carry with me is only enough for a week.
On the first night, I slept on this big desert far away from human
fireworks. I am lonelier than a shipwreck on a raft in the middle of the
sea. And you can imagine my surprise when a strange little voice woke me
up at dawn the next day. The little voice said:"Draw me a sheep,
please?" "Ah!" "Draw me a sheep..."
I stood up all of a sudden, as if I was being bombarded by thunder. I
rubbed my eyes vigorously and lookedcarefully. I saw a very strange
little fellow staring at me seriously. This is the best portrait I ever
made of him. But, of course, my picture is much inferior to his own
appearance. It's not my fault. At the age of six, grown-ups discouraged
me from my career as a painter, and I never learned to draw, except boa
constrictors with open bellies and closed bellies.
My eyes widened in amazement at the sudden appearance of the little guy.
Don't you forget, I was in a place thousands of miles away from
people.And this little guy gave me the impression that he neither looks
lost, nor does he look tired, hungry, or scared. He didn't look like a
child lost in the middle of nowhere in the desert. When at last I was
able to speak again in my astonishment, I said tohim:
"Oh, what are you doing here?" But he calmly, as if he had something
important to do, repeated to me:"Please... draw me a sheep..."
When a mysterious thing overwhelms you, you dare not disobey it. In this
uninhabited desert, facing the danger of death, although such a behavior
makes me feel very absurd , I still took out a piece of paper and a pen.
At this time, I remembered that I hadonly studied geography, history,
arithmetic and grammar, so I told the little guy that I couldn't draw.
He answered me:
"It's okay, just draw me a sheep!"
Since I have never drawn a sheep, I repainted the boa constrictor with
its belly closed in the two paintings I only know how to draw.
"No, no! I don't want a boa constrictor. It has an elephant in its
stomach."
I was dumbfounded when I heard his words. He went on: "The python is too
dangerous and the elephant takes up too much space. I live in a very
small place and I need a sheep. Draw me a sheep."
I just drew him.
He watched intently, and then said:"I don't want it. The sheep is very
sick. Draw me a new one.
"I started drawing again.
My friend smiled innocently and cutely, and politely refused: "Look,
what you drew is not a lamb, but a ram with horns.
"So I drew another one.
This painting, like the previous ones, was rejected again."This one is
too old. I want a sheep that will live.
"I'm getting impatient. As I was in a hurry to overhaul the engine,
Isketched the picture and said to him hastily:
"This is a box, and the sheep you want is inside."
At this moment I
was very surprised to see my little judge beaming with joy. He said:
"That's
exactly what I want, . . . You say this sheep needs a lot of grass?"
"Why
do you ask that?"
"Because my place is very small..."
"What I
drew for you is a very small lamb, and the place is small enough to feed
it."
He put his head close to the picture.
"It's not as small
as you say... Look! It's asleep..."
In this way, I met the little
prince.